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Spicing Up Little Italy; San Diego's old
Italian neighborhood just isn't the same anymore-and that's a good thing
Well, yes, it is. And no, it's not. In fact, in square blocks, San Diego's Little Italy is
bigger than San Francisco's, St. Louis' and New York's combined. And
that's after having its heart bisected by Interstate 5. That happened
more than 40 years ago-when San Diegans called it the Crosstown Freeway.
But for the natives of Little Italy, the pain is still acute. Ask anyone
who lived or worked here before the freeway came, and they'll tell you
it was a disaster for the neighborhood. "I have roots here, and roots here,"
says Rose Cresci, pointing first to the floor beneath her feet, then
at her assisted-auburn hair. "The worst thing for all of us is
when the freeway went in. It devastated this neighborhood. The freeway
took our homes. Many of the old families moved to Hillcrest and Mission
Hills, Point Loma, La Jolla. "But," she quickly adds, "I'm
ecstatic about the comeback of Little Italy." Rose is standing in the center of The Gargoyle,
the newest incarnation of the family grocery where she worked as a child
some seven decades ago. Today, it's a combination art gallery/café,
operated by her youngest son, Dino. He's the fourth generation of the
family to run a business here. His niece, Jennifer Morrison, who works
alongside him, is fifth generation. Rose, too, still works here-part-time.
"My great-grandparents, Angelo and Emanuela
DeLuca, came to Little Italy in the early 1900s," Dino says. "Their
daughter, Julia, married Emilio Giolzetti, and their daughter, Rose,
married my father, Sal Cresci. "My family once owned all four corners
here, at Fir and India. Every generation has worked this property,"
he says. "So something inside of me told me I should do this."
What Dino has done is transform the old family
grocery-for a time it was leased out as a tool-and-die shop-into The
Gargoyle, a mod arts-and-crafts gallery and cafe. A snapshot in the
the café shows a group of rakish-looking chaps, posed team style,
with the inscription "Warff Rats-1940 champs." A baseball
team photo? "Well, no," says Rose, "they
didn't play baseball. The Warff Rats were the 1940 champs, though. Dice
champions. They played dice behind the drugstore," she says, pointing
kitty-corner across India and Fir to where Bay City Drugs-her father's
drugstore-once stood. Behind The Gargoyle, climbing the south side
of Fir Street, is a row of small homes where the Cresci forebears once
lived. As part of his commitment to the revival of Little Italy, Dino
Cresci launched his own redevelopment project on Fir, transforming the
tiny houses into upscale design and fashion boutiques-including Villino
Galleria (gifts, interior design), Carol Gardyne's (hand-painted silks)
and Tracy and Kerry McReynolds' Sorella (clothing). Shops like these, and restaurants like Trattoria
Fantastica and Café Zucchero-opened in recent years by Joe Busalacchi
and his family-are essential to Little Italy's comeback. In the years
between the mid-'50s and the early '90s, the neighborhood shops were
mostly devoured by a string of brake-and-muffler shops, salvage companies
and car-rental agencies. But the tide is shifting again. Despite the heavy nostalgia for what used
to be Little Italy, there's widespread optimism among old-timers and
newcomers about what Little Italy is now, and will be tomorrow. Today, Little Italy is defined as the 48 square blocks bordered by Laurel Street on the north, Ash on the south, Pacific Highway on the west and Front on the east. It's smaller than it was before the freeway split, certainly, but compare those 48 square blocks of Little Italy to New York's seven linear blocks on Mulberry Street. Or San Francisco's six blocks on Columbus Avenue. Says Marco Li Mandri,
chairman of the board of the Little Italy Association, "In our
Little Italy, India Street is the spine of the body. In New York, Mulberry
Street is the spine, but there is no body. In San Francisco, Columbus
is the spine, but there is no body." For redevelopment
purposes, Little Italy is a Business Improvement District (BID). And
BIDs are Li Mandri's business. He's overseen 19 of them; six in San
Diego, including downtown El Cajon and the Sports Arena district. But
Li Mandri's a "full-blooded Italian," born in San Diego's
Little Italy B.F. (Before the Freeway), and this is where his heart
is. "This is where I'm most hands-on," he says. "This
is where I'm applying everything I've learned." In San Francisco's
Little Italy, Li Mandri notes, "80 percent of the commercial district
is owned by overseas Asians." Here, he says, though many of the
old families make their homes in other neighborhoods, they've held on
to the community. Many still own businesses here, like Pete's Quality
Meats & Grill and the Solunto Baking Company; many still come here
to socialize. And they are key to the rebirth of the neighborhood. "They know the
history. They give us not only the moral but the political support we
need," says Li Mandri, "because no one can question their
motives." They have roots. The big political
issues today revolve around housing and parking. It's anticipated 8,000
new residences will be built in the next two years, and design is a
major sticking point. "There was a
time," says Li Mandri, "when we really needed the missing
link of density." Restaurants and shops are not enough to create
a neighborhood, he says. A neighborhood must have neighbors. "From
the standpoint of new housing, these new condo developments were great,"
he says. "But there were pieces of garbage being built down here.
So now we have the only design-review committee downtown. Two years
ago, we knew the onslaught was coming. We can't legislate what someone
builds in terms of beauty, but we can strongly influence it. And we
are doing that by working with the Centre City Development Corporation
and the developers to strengthen the focus plan." Architect/developer Jonathan Segal was a
pioneer in building new housing for Little Italy. "He gets credit,
and he should," says Li Mandri, "for living in the neighborhood.
He's the only one to bring his kids and raise them here. And put them
in schools here. Not many do that." But Segal has his detractors,
too, most of whom criticize the cold, stark sameness of many of his
projects, including the most recent and most ambitious. "A lot of people were heartbroken about
his project at the Waterfront Bar," says a neighborhood activist.
"Jonathan gets credit for preserving the bar, at least [his condo
and retail space are designed around the landmark dive bar]. But he
would have been a pariah in the neighborhood if he hadn't." With the new residents
and new businesses come new problems. The question of long-term parking
continues to vex the Little Italy Association. Li Mandri says there
is $2 million in a fund that could be used for parking, but the amount
is woefully inadequate. "A couple of years ago, that would have
bought a whole block," he says. "Now it might buy 20,000 square
feet." Most of the new residential
construction is one- and two-bedroom units-not the kind of dwellings
that invite family living. That's another problem, according to Li Mandri.
But there are other lures to family life here, including two schools.
And the freeway may have been the force that split the community in
half, but the church is the glue that holds what remains of Little Italy
together, most agree. Every Sunday, Mass at Our Lady of the Rosary is packed, Li Mandri says. The people come back to the church. "The church is where I was baptized
and confirmed and married," says Rose Cresci. "And this is
the center of the old social world still today. You go to a wedding
or a funeral, and you see everybody from the old neighborhood."
If the church is the center of the social future for Little Italy, the neighbors may take heart. These days, it seems, the church is doing lots more weddings than funerals. |
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